These sculptures explore extraction, transformation and contamination and have been developed through sand casting techniques and kiln-cast with a mixture of post-consumer SLS and float glass waste. Because of contamination, this glass cannot be reused in large-scale production cycles and would generally be landfilled. I embrace contamination as an aesthetic and conceptual force that embodies the volatility of disrupted landscapes.These thinking models become a path through which to sense the abstract, complex, and immersive scale of landscape transformation occurring in the Anthropocene.